Travel writing at its best… relates a journey of discovery that is frequently risky and sometimes grim and often pure horror, with a happy ending: to hell and back. The traveler ends up at home and seizes your wrist with his skinny hand and holds you with his glittering eye and relates his spellbinding tale.”
Paul Theroux, Introduction.
Seeing as we have been rather stuck at home, I thought that now would be a really good time to read some travel writing and, having had some success with this series in the past, found an old volume on the old TBR shelves. I did have some hesitation seeing the editor was Paul Theroux (only because I’ve heard of his reputation as a rather grumpy writer), but pulled it down nevertheless, primarily because it was what I had. 🙂
In actuality, despite my initial reservations, this turned out to be a really good read. As with any kind of writing collection chosen by whoever is the editor, there are going to be hits and misses but this compilation was mostly hits, which made it fun to read.
(The only slightly eye-wincing moment was when I saw that Paul Theroux’s eldest son, Marcel, was also selected as part of this collection of American Travel Writing. One, the optics don’t look that great for a father to choose his own son’s writing for inclusion in a project such as this, and is M.T.’s writing so much more superior than anyone else’s who was up for submission? Oh, and the gender split of authors was a bit eye-watering. This then leads on to related question: how many of these selectees are POC?)
Looking through the index, the selected writing travels far and wide: from Siberia to the U.S. and parts in between, the quality of writing and its content was enjoyable. In fact, it was a really good read overall and actually hit the sweet spot for reading in a pandemic. Plus it fit really well with my COVID reading style which seems to be rather a scattershot approach at the moment. Plus it was a TBR.
Excellent writing came from Peter Hessler (who I adore anyway), Susan Orleans, and 24 other authors, with a gender break-up of five female authors (and 19 males). Grumble, grouse, but this lack of gender balance is a common characteristic for these editions (especially when they are edited by males). Is it really so hard to find someone who is a strong writer and is not a typical white male? Hmm.
Moving on… The majority of these reads did exactly what they said on the tin: excellent writing combined with strong descriptions and interesting narratives of places off the beaten track.
Despite its weaknesses (see above), I actually really enjoyed this volume and have just realized that I haven’t bought the 2019 volume just yet (edited by Alexandra Fuller – Hey! A woman slipped into the mix. I’m a bit behind with the book-buying.) This year’s volume (2020) will be edited by Robert McFarlane, another white male Oxbridge fellow, I see (with gritted teeth)…
Still, fingers are crossed to a more balanced gender breakdown inside both of these…
In the end, I am happy to have read this volume and able to travel outside my home, even if it was only in my mind. Along those same lines, I did just go to the grocery store, which counts as adventurous travel in this day and age. 🙂
Sounds perfect reading for our times – I could do with a little vicarious travel!
Oh, I think I read this back in the day (I love grumpy old Theroux himself) and that’s where I came across Peter Hessler, who I’ve read now, too. The balance is annoying though, isn’t it.
The (im)balance is particularly annoying when you consider that the Series covers only writing that has been published in the previous year. You’d think that there would be more female representation. Humph. 😉